Introduction to Oboe and Bassoon - 3379 Words

An Introduction Oboe and Bassoon By Marie A Rogers 300005290 Woodwind Techniques 1 1010-1100 Mr. Robinson The oboe is a soprano-range double reed instrument with a length of 62cm. Its wooden tube is distinguished by a conical bore that expands into a flaring bell. The modern oboe’s range extends from the B flat below middle C (b3 flat) to about 3 octaves higher (A6). The oboe has a very narrow conical bore. It is played with a double reed consisting of two thin blades of cane tied together on a small metal tube called a staple, which is inserted into the reed socket at the top of the instrument. Traditionally made from African Blackwood, also called grenadilla, the instrument is made in 3 parts. The top joint has 10 or 11†¦show more content†¦The modern Bassoon exists in two distinct primary forms the Buffett system and the Heckle system. Most of the world plays the Heckle system, while the Buffett system is primarily in France, Belgium, and parts of Latin America. Bassoon techniques The Bassoon is held diagonally in front of the player, but unlike the flute, oboe, and clarinet, it cannot be supported by the players hands alone. Some means of additional support is required; the most common ones used are a neck strap or shoulder harness attached to the top of the boot joint, a seat strap attached to the base of the boot joint which is laid across the chair seat prior to sitting down. To stabilize the right hand, many Bassoonists use an adjustable common shaped apparatus called a â€Å"crutch†, which mounts to the boot joint. An aspect of Bassoon playing technique called flicking involves the momentary pressing or â€Å"flicking† of the high A, C, and D keys by the left hand thumb at the beginning of certain note in the middle octave in order to eliminate the cracking or brief microphonic that happens without the use of the key. Bassoon Reeds Bassoon reeds, made of Arundo donax cane, are often made by the players themselves, although beginner bassoonists tend to buy their reeds from professional reed makers or use reeds made by their teachers. Reeds begin with a length of tube cane that is split into three or four pieces. The cane is then trimmed and gouged to the desired thickness,Show MoreRelatedThe Contribution Of French Music During The Decades After World War I1408 Words   |  6 Pageshouse of his teacher Ricardo Vines in 1918. David Ewen writes, Pictorially one is sometimes reminded of a chase, sometimes a dialogue. Normally, however, the main musical discourse is entrusted to the piano, while the bassoon is relegated to the role of a discrete commentator and the oboe is allowed to intensify the more lyrical flights. The very heart of Poulenc is in this adroit little work. 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Suite d’aprà ¨s Corrette for Oboe, Clarinet, and Bassoon, Op. 161 (1937) - Darius Milhaud (1892-1974) I. Entree et rondeau II. Tambourin III. Musette VIII. Le coucou 6. Divertissement for Oboe, Clarinet, and Bassoon, Op. 161 (1947), Jean Franà §aix (1912-1997) Prelude Read MoreThe Concert Hall At Lincoln Center980 Words   |  4 Pagesclarinets, two bassoons, four horns, two trumpets, timpani, tambourine, triangle, bells, and strings. This is the Hungarian folk music. There were five movements. The symphonic poem was in rondo form. It starts with a short melody played first with strings, followed in succession by the horn, oboe, and orchestra. The second piece was Piano Concerto No. 2 in A major by Franz Liszt. 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A string melody followsRead MoreAlex theatre is mid-sized theatre characterized by Greek and Egyptian touches to its internal1200 Words   |  5 PagesThe arrangement of the instruments on the stage was as follows: violins on left side and in the middle, violas, bass and cellos on the right side, timpani on the far right side, bassoons, horns, and oboes at the very far middle of the stage and, lastly, trumpets, flutes, and clarinets in the middle between violins and bassoons, horns, and oboes. The event started with a unique announcement made by the general manager, Andrea Laguni, where she introduced a close friend of the LA Chamber Orchestra, namedRead MoreAnalysis of Tchaikovskys quot;Romeo and Julietquot; Essay617 Words   |  3 PagesTchaikovsky - Romeo and Juliet The slow introduction, which is the theme of Friar Lawrence, begins with a slow minor melody played by the clarinets, which imitates a Russian hymn. The strings then take over the melody and use suspensions. There is a modulation to the major and the strings and woodwind play together. The music modulates back to minor and the flute plays an ascending minor arpeggio whilst the harp plays glissandos. This is repeated. Pizzicato strings then play a descending sequenceRead MoreBeethovens Seventh Symphony Analysis2490 Words   |  10 Pageswant to dance and burst into blissful joy. It involves four movements: 1. Poco sostenuto – Vivace, 2. Allegretto, 3. Presto – Assai meno presto (trio), and 4. Finale, Allegro con brio. The score includes two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, two drums (in which are tuned to A and E, except in the scherzo where they are in F and A), and basses. The first movement is in A major, with repeated modulati ons between C major and F major. The second movement also includesRead MoreAnalysis : Adagio Molto 2020 Words   |  9 PagesIntroduction (mm. 1-12) Adagio molto Although the symphony is written in the key of C major, Beethoven begins the introduction with a PAC in F major in measure 1. He immediately moves away from this key as measure 2 begins with a V7 (G7 chord), which looks as thought it might resolve to the expected I chord in C major. However, this forms an interrupted cadence (V-vi), as Beethoven substitutes an A minor chord for the expected C major chord on beat 3 of the second measure. There also seems toRead MoreA Clockwork Orange By Anthony Burgess1473 Words   |  6 Pagesdo because I like it† (40). Through this passage, Alex makes the rape crime appear a joyful act of individual violence, but soon after the development of Beethoven’s symphony puts on a different interpretation. After the solo bass intones an introduction, soloists and then a full chorus and orchestra join the soloist, unified in singing the same poem. What initially seems like an individual remaining separate from a group does not remain solo for a very long. As other soloists join the solo bass